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What We Think
For lovers of the dreadnought look and sound the HiGloss Saturn is worth your time, pleasant on the eyes as well as the ears. A familiar and comfortable feel to for many acoustic guitar players, the Saturn has a solid Engelmann spruce top along with solid highly-figured Rosewood back and sides. Topped of with solid Flamed Maple binding and Macassan Ebony for the fingerboard, bridge, headplate and heelcap. The HiGloss Saturn is a beauty, designed to give a bright clear sound that’s also full so fingerpicking and soloing sound amazing. Grover Rotomatic Gold Machine heads and the classic Mother of Pearl 'F' at 12th Fret finish off an acoustic that looks incredible and sounds even better.
The Faith Pro series models again all feature solid woods in their construction , so you are assured of a great natural tone with warmth and depth to the sound these guitars produce. The FSHG Saturn is a standard dreadnought shape model with a solid Englemann spruce top complimented by solid Figured Rosewood back and sides. The Pro series are finished in a Hi Gloss , which really does give this range a fabulous look. Furthermore the bodies are bound with flamed maple, a really nice touch . The neck is mahogany and is topped with Macassan figured ebony. The Pro series range of faith guitars are a great models with those extra features and refinements which really do make these guitars a must for all serious players.
Blackpool & Southport Stores
One of the original Faith shapes that launched the brand at the beginning of this century, this Saturn is a square-shouldered dreadnought design.
Based upon the traditional early 20th century designs, the Saturn is like an old friend: you know exactly what to expect, and it always delivers just as you would want.
Faith HiGloss series are designed to offer both visual and aural beauty. Using high grade Englemann Spruce for the top and highly-figured Rosewood for the back and sides, HiGloss models feature solid Flamed Maple binding and Macassan Ebony for the fingerboard, bridge, headplate and heelcap.
Tonally, this combination of wood is generally bright and 'zingy', delivering great clarity. Visualising this as a frequency curve, it would be shaped like a smile: high on the bass, dipping down through the middle and rising once again at the top end, lending itself to fingerstyle and solo pieces in particular.
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